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PAUL BLEY TRIO Closer (1966 US 10-track mono LP, also featuring
Steve Swallow on Bass & Barry Altshol on Percussion, with seven of
the compositions by his wife Carla, pasted picture sleeve. The sleeve
shows just a little light shelfwear & the vinyl is flawless. A nice copy
of this great album - Still in the original opened shrink!)
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PAUL BLEY Copenhagen & Haarlem (1975 US 9-track double
LP, housed in a gatefold picture sleeve with a deletion
saw-cut. The cover [VG+] shows a little ring wear & the vinyl
discs are Excellent with some minor paper scuffs to show
handling or play AL1901)
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PAUL BLEY with MASAHIKO TOGASHI Echo (Limited Edition
1999 Japanese-only promotional sample 16-track CD for
review ahead of release, an audiophile DSD Recording
captured at the Minato-Mirai Hall in Yokohama, Japan. Comes
complete with a uniqueJapanese picture booklet, promo
stickered back inlay & 'Master Sound' obi-strip SRCS2168)
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PAUL BLEY Fragments (1986 German 9-track stereo LP, also
featuring John Surman, Bill Frisell and Paul Motian, picture sleeve
with credits inner. The sleeve shows just a little light shelfwear
and the vinyl is flawless ECM1320)
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PAUL BLEY Introducing Paul Bley (1976 Japanese issue of the 1953
6-track mono LP featuring the notable rhythm section of Charlie
Mingus on Bass & Art Blakey on Drums! The album includes the
original Japanese insert, picture sleeve reproducing theoriginal album
artwork & obi-strip VIJ-5005M)
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PAUL BLEY Introducing Paul Bley (1985 US 7-track mono LP, originally
released as a 10" for Debut in 1954 when Bley was just a young pianist
from Montreal getting his feet wet in the New York jazz scene, with
Charles Mingus on bass & Art Blakey, drums. The picture sleeve is still
in the hype stickered open shrinkwrap & the vinyl looks barely played
OJC-201)
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Last copy in stock. Order now for shipping on Monday 17th February
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$18.90
£15.00
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PAUL BLEY Open, To Love (1973 German sea green ECM label
7-track LP, recorded solo at the Arne Bendiksen Studio in Oslo
the previous year. The picture sleeve is Excellent with some
minor flaking to the laminate & natural age yellowing around the
edges, the vinyl appears Near Mint with few signs of play
ECM1023ST)
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PAUL BLEY/ NIELS-HENNING ØRSTED PEDERSEN Paul Bley/
NHØP (Free Jazz 1973 Danish 9-track LP, recorded as a duo for
Steeplechase in Copenhagen that year, housed in a fully silk
laminated picture sleeve. The sleeve is Excellent with some minor
ring wear scuffing & the vinyl appears Near Mint with few signs
of play SCS-1005)
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PAUL BLEY With Gary Peacock (1970 German 8-track LP on
ECM, also starring Paul Motian or Billy Elgart on drums, silk
laminated picture sleeve. The sleeve has some corner
creasing & ring wear [small 1" split in spine] yet the vinyl
remains Excellent with few signs of play ECM1003)
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PAUL BLEY Quiet Song (1975 US 10-track LP with Bill Connors
and Jimmy Giuffre, picture sleeve. The sleeve shows minimal
wear & the vinyl looks barely played. A nice one owner example
IAI373839)
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PAUL BLEY Ramblin' (1979 UK Affinity repackaging of the 1969
6-track vinyl LP, originally recorded July 1, 1966, backed by Mark
Levinson [bass] & Barry Altschul [drums], picture sleeve variant. The
sleeve shows just a little light edge wear &the vinyl looks barely
played AFF37)
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PAUL BLEY Ramblin' (2002 Italian pressed UK audiophile issue of the
1966 French 6-track LP pressed on 180Gm Virgin Vinyl & also
featuring Barry Altschul on Drums & Mark Levinson on Bass, high
quality gatefold picture sleeve reproducing the original album artwork.
This copy has remained factory sealed from new in the original
custom stickered shrink & is therefore still mint & unplayed! GET313)
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PAUL BLEY Tears (1983 French 9-track LP of solo piano compositions
recorded in Paris on May 19th that year, textured picture sleeve. The
sleeve shows just a little light shelfwear & the vinyl is flawless
OWL034)
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PAUL BLEY The Fabulous Paul Bley Trio (1971 French 4-track
stereo LP, originally recorded live at the Hillcrest Club, LA in
1958, with Ornette Coleman, Don Cherry, Charlie Haden & Billy
Higgins (two of the compositions are Ornette's). The sleeve
shows one or two minor laminate creases with a nice & clear
laminate finish, the vinyl dispays just light signs of play, with a
nice deep sheen 30AM6120)
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PAUL BLEY The Paul Bley Quartet (1988 German ECM 5-track
digital LP recorded in Oslo with John Surman, Bill Frisell &
Paul Motian, glossy picture sleeve. The sleeve shows minimal
wear & the vinyl looks barely played. A nice one owner
example ECM1365)
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PAUL BLEY TRIO Touching (Rare 1965 UK first press 6-track mono LP
on a rough textured black & silver label, also starring Kent Carter on
bass & Barry Altschul on drums, a lively & experimental set for the
adventurous modern jazz fan with composer credits including one tune
by Carla Bley, two by Paul & three by Annette Peacock. Comes housed
in a superb front laminated pasted sleeve using the same Debut
artwork as the rare Danish release. The sleeve is Excellent to Near Mint
with few signs of wear, the vinyl too is Excellent to Near Mint with
barely any play. Recommended)
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PAUL BLEY TRIO Touching (1969 UK steel blue & silver
Fontana label 6-track stereo LP, first published in 1965,
featuring Kent Carter on bass & Barry Altschul on drums, a
lively & experimental set for the adventurous modern jazz
fan! The fullylaminated sleeve has a nice & unique UK-only
design & shows just a little corner scuffing [thin 1" hairline
split in the paper's top edge], whilst the vinyl is super clean &
grades Excellent to Near Mint with barely a hint of play
SFJL.929)
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PAUL BLEY/ JOHN GILMORE/ PAUL MOTIAN/ GARY PEACOCK
Turning Point (1975 US 7-track LP on a blue Improvising
Artists label, originally recorded at Mirasound Studio, NYC in
1964 & at the University of Washington, Seattle in May, 1968
[with BillyElgart replacing Paul Motian], preserved in mono.
The sleeve & vinyl remain in Excellent condition with just the
odd light spot of shelf wear & only minor evidence of play
IAI373841)
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Alternative artists: None
PAUL BLEY Vinyl Record And PAUL BLEY CD