we want to buy items by Blind Boy Grunt

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Do you have a record collection to sell? We're always looking to buy records, CDs and memorabilia by Blind Boy Grunt.
We pay top prices for mint condition records, rare CDs and authentic pop memorabilia. Save time and hassle and sell us your whole collection. Or consign your high-end items with us. 60s pop, 70s rock, progressive, psychedelic, punk, indie, metal, blues, folk, funk and jazz are just some of the genres we cover - anything considered, so long as it's mint condition.
We specialise in vinyl LPs, 12-inch, 7-inch, programmes, posters, tickets, autographs, vintage merchandise & memorabilia. We also buy collectables including 1980s and 1990s CD singles, limited edition releases, picture discs, shaped and uncut, promotional and demonstartion copies, acetates, test pressings and BPI and RIAA Gold/Silver/Platinum award discs.

It's easy to sell to us. Download our valuation form and send us a detailed list of any records, CDs and memorabilia you wish to sell -- full details here. If your collection is large or valuable we can come to you.

AN AROUND-THE-WORLD GUIDE TO BLIND BOY GRUNT VINYL RECORD, CDs & MEMORABLIA WE WANT TO BUY...
We will buy or trade most CDs, vinyl LP, 7”, 12” records and memorabilia from most countries, especially the following...

UK
vinyl LP, red vinyl, blue vinyl, clear vinyl...

Top release decades
1960s...

Top music labels
Folklore...

Top barcodes

Top catalogue numbers
F-LEUT/7...

Top titles
Dick Farina & Eric Von Schmidt...

Top wanted titles

Other artist names
...

Related artists
Blind Boy Grunt, Bob Dylan, Gilbert Hetherwick, Helena Springs, Jakob Dylan, The Los Angeles Gospel Choir, The New Basement Tapes, The Wallflowers...


A FEW OF THE ITEMS WE WANT...

BLIND BOY GRUNT Dick Farina & Eric Von Schmidt (Very rare 1963 UK only 17-track mono LP recorded at Dobell's Jazz Record Shop in London on 14th & 15th January that year. This record has since become legendary for the involvement of 'Blind BoyGrunt' on four of the tracks - Glory Glory, Overseas Stomp, Xmas Island & Cocaine. The album was a release by Dick Fariña with Eric Von Schmidt & Ethan Signer but 'Blind Boy' performed backing vocals & harmonica on those four tracks. A relative unknown at the time, on his first visit to the UK, he was even listed on the label copy sheets for the sessions as Bob Diglan. The sleeve has some notable edgewear and a little laminate creasing whilst the vinyl remains very ggod with some cosmetic surface scuffs to show play TF-LEUT/7)

Tracklisting: This was an impromptu recording made in London on January 14 and 15, 1963 using a single microphone. Joining Fariña and von Schmidt were Ethan Signer (of the Charles River Valley Boys) on fiddle, mandolin, and guitar, and occasionally Blind Boy Grunt. Blind Boy Grunt was of course the pseudonym of Bob Dylan, whose Columbia contract prevented his real name from appearing on the album. Tracklisting :- Side One: 1.) JOHNNY CUCKOO (4:27) adaption of a children's game song learned from Bessie Jones, a negro woman from St. Simon's Island, Georgia 2.) JUMPING JUDY (3:55) an ax song, sometimes called "Drive it On," from the unaccompanied singing of convicts, Cummins State Farm, Arkansas, 1934. Played in an open G-tuning. 3.) GLORY, GLORY (2:34) traditional negro hymn, the tune relating closely to the Southern white hymn, "Will the Circle Be Unbroken?" 4.) OLD JOE'S DULCIMER (2:55) a medley of dance tunes including "Old Joe Clark," "Swing and Turn," "Darlin' Corey," etc. 5.) WOBBLE BIRD (2:44) a variation on "The Cuckoo," in 3/4 time. 6.) WILDWOOD FLOWER (1:56) instrumental on the well known Carter song. 7.) OVERSEAS STOMP (2:43) in the spirit of the 1927 Memphis Jug Band. Side Two: 1.) LONZO N'HOWARD (3:30) learned from Tom Shoemaker of Harlan, Kentucky, who heard it there from a mountain fiddler called Blind Jim. This is probably its first recording. 2.) YOU CAN ALWAYS TELL (3:00) a tune based on Furry Lewis' "Dry Land Blues," with additional verses. 3.) XMAS ISLAND (3:18) a twelve-bar written by Fariña. 4.) STICK WITH ME BABY (3:32) played in an open G-tuning, adapted from the 1928 Lewis, "I Will Turn Your Money Green." 5.) RIDDLE SONG (1:10) traditional, with new answers to fit the old questions. 6.) COCAINE (4:03) learned from Rev. Gary Davis at Indian Neck, 1960. 7.) LONDON WALTZ (3:10) a blues in 3/4 time, music by Fariña, words spontaneous.
BLIND BOY GRUNT Dick Farina & Eric Von Schmidt (Very rare 1963 UK only 17-track mono LP recorded at Dobell's Jazz Record Shop in London on 14th & 15th January that year. This record has since become legendary for the involvement of 'Blind BoyGrunt' on four of the tracks - Glory Glory, Overseas Stomp, Xmas Island & Cocaine. The album was a release by Dick Fariña with Eric Von Schmidt & Ethan Signer but 'Blind Boy' performed backing vocals & harmonica on those four tracks. A relative unknown at the time, on his first visit to the UK, he was even listed on the label copy sheets for the sessions as Bob Diglan. The sleeve has some notable edgewear and a little laminate creasing whilst the vinyl remains very ggod with some cosmetic surface scuffs to show play TF-LEUT/7)

Tracklisting: This was an impromptu recording made in London on January 14 and 15, 1963 using a single microphone. Joining Fariña and von Schmidt were Ethan Signer (of the Charles River Valley Boys) on fiddle, mandolin, and guitar, and occasionally Blind Boy Grunt. Blind Boy Grunt was of course the pseudonym of Bob Dylan, whose Columbia contract prevented his real name from appearing on the album. Tracklisting :- Side One: 1.) JOHNNY CUCKOO (4:27) adaption of a children's game song learned from Bessie Jones, a negro woman from St. Simon's Island, Georgia 2.) JUMPING JUDY (3:55) an ax song, sometimes called "Drive it On," from the unaccompanied singing of convicts, Cummins State Farm, Arkansas, 1934. Played in an open G-tuning. 3.) GLORY, GLORY (2:34) traditional negro hymn, the tune relating closely to the Southern white hymn, "Will the Circle Be Unbroken?" 4.) OLD JOE'S DULCIMER (2:55) a medley of dance tunes including "Old Joe Clark," "Swing and Turn," "Darlin' Corey," etc. 5.) WOBBLE BIRD (2:44) a variation on "The Cuckoo," in 3/4 time. 6.) WILDWOOD FLOWER (1:56) instrumental on the well known Carter song. 7.) OVERSEAS STOMP (2:43) in the spirit of the 1927 Memphis Jug Band. Side Two: 1.) LONZO N'HOWARD (3:30) learned from Tom Shoemaker of Harlan, Kentucky, who heard it there from a mountain fiddler called Blind Jim. This is probably its first recording. 2.) YOU CAN ALWAYS TELL (3:00) a tune based on Furry Lewis' "Dry Land Blues," with additional verses. 3.) XMAS ISLAND (3:18) a twelve-bar written by Fariña. 4.) STICK WITH ME BABY (3:32) played in an open G-tuning, adapted from the 1928 Lewis, "I Will Turn Your Money Green." 5.) RIDDLE SONG (1:10) traditional, with new answers to fit the old questions. 6.) COCAINE (4:03) learned from Rev. Gary Davis at Indian Neck, 1960. 7.) LONDON WALTZ (3:10) a blues in 3/4 time, music by Fariña, words spontaneous.
BLIND BOY GRUNT Dick Farina & Eric Von Schmidt (Very rare 1963 UK only 17-track mono LP recorded at Dobell's Jazz Record Shop in London on 14th & 15th January that year. This record has since become legendary for the involvement of 'Blind BoyGrunt' on four of the tracks - Glory Glory, Overseas Stomp, Xmas Island & Cocaine. The album was a release by Dick Fariña with Eric Von Schmidt & Ethan Signer but 'Blind Boy' performed backing vocals & harmonica on those four tracks. A relative unknown at the time, on his first visit to the UK, he was even listed on the label copy sheets for the sessions as Bob Diglan. The sleeve has some notable edgewear and a little laminate creasing whilst the vinyl remains very ggod with some cosmetic surface scuffs to show play TF-LEUT/7)

Tracklisting: This was an impromptu recording made in London on January 14 and 15, 1963 using a single microphone. Joining Fariña and von Schmidt were Ethan Signer (of the Charles River Valley Boys) on fiddle, mandolin, and guitar, and occasionally Blind Boy Grunt. Blind Boy Grunt was of course the pseudonym of Bob Dylan, whose Columbia contract prevented his real name from appearing on the album. Tracklisting :- Side One: 1.) JOHNNY CUCKOO (4:27) adaption of a children's game song learned from Bessie Jones, a negro woman from St. Simon's Island, Georgia 2.) JUMPING JUDY (3:55) an ax song, sometimes called "Drive it On," from the unaccompanied singing of convicts, Cummins State Farm, Arkansas, 1934. Played in an open G-tuning. 3.) GLORY, GLORY (2:34) traditional negro hymn, the tune relating closely to the Southern white hymn, "Will the Circle Be Unbroken?" 4.) OLD JOE'S DULCIMER (2:55) a medley of dance tunes including "Old Joe Clark," "Swing and Turn," "Darlin' Corey," etc. 5.) WOBBLE BIRD (2:44) a variation on "The Cuckoo," in 3/4 time. 6.) WILDWOOD FLOWER (1:56) instrumental on the well known Carter song. 7.) OVERSEAS STOMP (2:43) in the spirit of the 1927 Memphis Jug Band. Side Two: 1.) LONZO N'HOWARD (3:30) learned from Tom Shoemaker of Harlan, Kentucky, who heard it there from a mountain fiddler called Blind Jim. This is probably its first recording. 2.) YOU CAN ALWAYS TELL (3:00) a tune based on Furry Lewis' "Dry Land Blues," with additional verses. 3.) XMAS ISLAND (3:18) a twelve-bar written by Fariña. 4.) STICK WITH ME BABY (3:32) played in an open G-tuning, adapted from the 1928 Lewis, "I Will Turn Your Money Green." 5.) RIDDLE SONG (1:10) traditional, with new answers to fit the old questions. 6.) COCAINE (4:03) learned from Rev. Gary Davis at Indian Neck, 1960. 7.) LONDON WALTZ (3:10) a blues in 3/4 time, music by Fariña, words spontaneous.
BLIND BOY GRUNT Dick Farina & Eric Von Schmidt (Very rare 1963 UK only 17-track mono LP recorded at Dobell's Jazz Record Shop in London on 14th & 15th January that year. This record has since become legendary for the involvement of 'Blind BoyGrunt' on four of the tracks - Glory Glory, Overseas Stomp, Xmas Island & Cocaine. The album was a release by Dick Fariña with Eric Von Schmidt & Ethan Signer but 'Blind Boy' performed backing vocals & harmonica on those four tracks. A relative unknown at the time, on his first visit to the UK, he was even listed on the label copy sheets for the sessions as Bob Diglan. The sleeve has some notable edgewear and a little laminate creasing whilst the vinyl remains very ggod with some cosmetic surface scuffs to show play TF-LEUT/7)

Tracklisting: This was an impromptu recording made in London on January 14 and 15, 1963 using a single microphone. Joining Fariña and von Schmidt were Ethan Signer (of the Charles River Valley Boys) on fiddle, mandolin, and guitar, and occasionally Blind Boy Grunt. Blind Boy Grunt was of course the pseudonym of Bob Dylan, whose Columbia contract prevented his real name from appearing on the album. Tracklisting :- Side One: 1.) JOHNNY CUCKOO (4:27) adaption of a children's game song learned from Bessie Jones, a negro woman from St. Simon's Island, Georgia 2.) JUMPING JUDY (3:55) an ax song, sometimes called "Drive it On," from the unaccompanied singing of convicts, Cummins State Farm, Arkansas, 1934. Played in an open G-tuning. 3.) GLORY, GLORY (2:34) traditional negro hymn, the tune relating closely to the Southern white hymn, "Will the Circle Be Unbroken?" 4.) OLD JOE'S DULCIMER (2:55) a medley of dance tunes including "Old Joe Clark," "Swing and Turn," "Darlin' Corey," etc. 5.) WOBBLE BIRD (2:44) a variation on "The Cuckoo," in 3/4 time. 6.) WILDWOOD FLOWER (1:56) instrumental on the well known Carter song. 7.) OVERSEAS STOMP (2:43) in the spirit of the 1927 Memphis Jug Band. Side Two: 1.) LONZO N'HOWARD (3:30) learned from Tom Shoemaker of Harlan, Kentucky, who heard it there from a mountain fiddler called Blind Jim. This is probably its first recording. 2.) YOU CAN ALWAYS TELL (3:00) a tune based on Furry Lewis' "Dry Land Blues," with additional verses. 3.) XMAS ISLAND (3:18) a twelve-bar written by Fariña. 4.) STICK WITH ME BABY (3:32) played in an open G-tuning, adapted from the 1928 Lewis, "I Will Turn Your Money Green." 5.) RIDDLE SONG (1:10) traditional, with new answers to fit the old questions. 6.) COCAINE (4:03) learned from Rev. Gary Davis at Indian Neck, 1960. 7.) LONDON WALTZ (3:10) a blues in 3/4 time, music by Fariña, words spontaneous.

AWARDS WE WANT TO BUY

We always require Gold, Silver, Platinum and Multi-Platinum awards on most artists - official B.P.I., R.I.A.A., I.F.P.I., C.R.I.A., S.N.E.P. etc. certified or genuine in-house variants from around the world. We also need Ivor Novello, B.M.I., ASCAP etc. publishing awards, plaques, trophies, certificates and citations.

MEMORABILIA ALWAYS REQUIRED:

Programmes; concert tickets; original concert posters; invites; handbills & flyers; promotional posters, standees, mobiles, displays & other P.O.S. material; press kits, boxes & sales presenters; award discs; tour crew jackets & other clothing; tour itineraries; promotional jackets, t-shirts & other clothing; original artwork, proofs, colour separations, cromalins, bromides, etc; interesting paper items, promotional gimmicks & most other memorabilia needed. Also buying: original film posters; movie press books & press kits; cinema programmes; premiere invites & programmes; promotional clothing & other items.

SHOPS/WHOLESALERS/DEALERS/REVIEWERS/RADIO STATIONS

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