sell to us

WE BUY RECORDS, CDS, and MUSIC MEMORABILIA COLLECTIONS IN TEMECULA CALIFORNIA


WHAT WE WANT


We will travel to Temecula in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Temecula areas below.

And we also travel to all of the following shopping areas in and around Temecula, California to buy your Rare Records, CDs and Pop Memorabilia including buying in Promenade Mall.

Including all of the California boroughs and district areas Orange County, Inland Empire.

To see a list of all the other towns in California we buy from click here.

Here are just a few examples of what we buy :

Records – vinyl LPs, 7-inch and 12-inch singles, EPs, 33 RPM, 45 RPM, Picture Discs, Colored Vinyl, Test Pressings, Acetates, Demos and Promo/Promotional Items

Compact Discs – CD Singles, CD/DVD singles, Limited Editions, 3" CD singles, Boxed Sets

Pop Memorabilia – Genuine Autographs, Display Items, Photographs, Tour Clothing, original/authenticated handwritten lyrics, tour itineraries, stage props and costumes, paper goods, concert programs, collectable band posters, press kits, photographs, Genesis Publications, the interesting, the unusual and sometimes the downright weird

Gold, Silver and Platinum Record Awards – Certified BPI, RIAA, IFPI or SNEP, authentic in-house variants, Grammy, Ivor Novello, ASCAP, publishing, plaques, shields, trophies, certificates and citations with proper provenance

Original 60s and 70s vinyl record pressings by The Beatles, John Lennon, Paul McCartney, George Harrison, Ringo Starr, Marc Bolan / T-Rex, David Bowie, Eric Clapton / Cream, Bob Dylan, Elvis Presley, Fleetwood Mac, Genesis, Jimi Hendrix, Led Zeppelin, Pink Floyd, Queen, Rolling Stones, Bruce Springsteen, Velvet Underground, The Who, Neil Young, Frank Zappa… and thousands more always required!

Jazz original or audiophile pressing vinyl LPs by Miles Davis, John Coltrane, Dave Brubeck, Paul Gonsalves, Herbie Hancock, Art Pepper, Tina Brooks, Thelonious Monk, Jackie McLean, Shelly Manne, Sonny Clark, Cannonball Adderley, Sonny Stitt, Zoot Simms, Kenny Drew, Duke Pearson, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Don Ellis, Lennie Niehaus, Kenny Clarke, Francy Boland, Donald Byrd, Hank Mobley, Horace Silver...

British Jazz vinyl LPs by Neil Ardley, Gordon Beck, Bill le Sage, Ronnie Ross, Ian Carr, Jeff Clyne, Tony Coe, Mike Cotton, Michael Garrick, Michael Gibbs, Joe Harriott, John Mayer, Tubby Hayes, Allan Holdsworth, John McLaughlin, Harold McNair, Dudley Moore, Dick Morrissey, Mike Osborne, Stan Tracey, Tony Oxley, Don Rendell, Ronnie Scott, Victor Feldman, John Surman, Keith Tippett, Julie Tippett, Mike Westbrook...

Pop record collections by Abba, Kate Bush, Mariah Carey, Duran Duran, Kylie Minogue, Madonna, Pet Shop Boys, U2, and more...

Punk, New Wave and Alternative collections by The Clash, The Cure, Depeche Mode, The Jam/Paul Weller, Japan/David Sylvian, Joy Division/New Order, Nirvana, Oasis, Ramones, Sex Pistols, The Smiths/Morrissey, U2/related, and more...

Rock & Metal collections by AC/DC, Black Sabbath, Ozzy Osbourne, Bon Jovi, Deep Purple, Iron Maiden, Metallica, Motorhead, Rush, Tool, and more...

Genres - 60s, 70s, 80s, 90s, Pop, Beat, Rock, Progressive, Psychedelic, Freakbeat, Krautrock, Heavy Metal, Indie, Jazz (modern, be-bop, avant garde, Britjazz), Funk, Fusion, Blues, Soul, R&B, Punk, New Wave, Mod, 2-Tone, Ska, Reggae, Folk, Italo Disco, Library, Motown

Labels - 4AD, A&M, ABC, Ace, Apple, Argo, Arista, Atco, Atlantic, Audio Lab, BBC, Bell, Bethlehem, Blue Horizon, Blue Note, Bronze, Brunswick, Buddah, Cadet, Capitol, Carnaby, Casablanca, CBS, Charisma, Chess, Chrysalis, Columbia, Contemporary, Coral, Cotillon, Dandelion, Dark Horse, Dawn, Decca, Deram, Disneyland, Dot, Dunhill, Elektra, Emarcy, Ember, EMI, Epic, Factory, Fantasy, Fontana, Geffen, Gordy, Harmony, Harvest, HMV, Immediate, Impulse!, Island, Kama Sutra, KPM, Liberty, London, Mainstream, Marmelade, MCA, Mercury, MGM, Monument, Motown, Neon, Odeon, Page One, Paramount, Parlophone, Philips, Planet, Polydor, Portrait, Prestige, Pye, Rare Earth, RCA, Regal Zonophone, Reprise, Ring O’, Riverside, Rolling Stone, Roulette, Savoy, Sire, Spark, Stax, Straight, Sue, Sun, Swan, Tamla, Threshold, Transatlantic, Tollie, Tower, Track, United Artists, Universal, Vanguard, Vee Jay, Vertigo swirl, Vertigo spaceship, Verve, Virgin, Volt, Warner, ZTT... if we missed some, we probably need those, too...

Swap your records for store credit.

Top Prices paid for MINT condition originals!  Still in original seal from new a plus!

WHY SELL TO US?


Our experienced team of buyers has been sourcing records, CDs and music memorabilia collections for over 25 years - we like to keep things simple. We"re keen to purchase your quality collectables or undamaged second-hand vinyl records and CD"s wherever you may be.

We will be pleased to quote for your mint condition items, and we are open to negotiating for complete collections.

Sell to us with complete confidence and safety - we even refund your postage. If you have a large or valuable collection, we can arrange to visit you.

No fees, no negative feedback, no excuses, no fuss. We buy outright and pay immediately.

We are the world leader in the online seller/dealer platform, so why not cash in on your collectable or blue chip record if it is presently only gathering dust?

We have international representatives located in Las Vegas and Hiroshima City, Japan, and our home office is located in Kent, England. We travel extensively to buy rare items and large collections.

Feel free to e-mail us with a detailed description of the items you have to offer -- you may be surprised at what your records are worth!

We are a better than a Temecula high street record shop, independent record shop, record fair or any other place to sell your records in a Market, Town Centre or Temecula Shopping Centre, Center or Mall and we will pay more than a Temecula HMV, Our Price, Zavvi, Fopp, Virgin or Rough Trade shop. We buy unwanted Christmas / Xmas / Birthday gifts & presents from the 1960s, 1970s, 1980s, 1990s, 2000s and 2010s.

We are the world leader of online sellers & record dealers so make money and cash in on a collectable or blue chip record which has gathered dust for years

We also buy Records and CD collections in house clearances and from dead or deceased relatives in the North, South, East and West of California


Our UK office is located in Kent although we travel worldwide. We have international offices located in Las Vegas USA, and Hiroshima City, Japan. We travel extensively to buy rare items and large collections.

Call us first on the numbers below if you have a collection to sell, or e-mail a detailed description of the items you have. Don’t delay… you may be surprised at what your records are worth!

INSTANT CASH WAITING TODAY


Remember, we will travel to Temecula in California to buy your Rare Records, CDs and Pop Memorabilia and we are buying in all of the following local Temecula areas below.

And we also travel to all of the following shopping areas in and around Temecula, California to buy your Rare Records, CDs and Pop Memorabilia including buying in Promenade Mall.

Including all of the California boroughs and district areas Orange County, Inland Empire.

CONTACT US


E-mail - USA@991.com

Our UK Home Office is:

991 Buyers
5 Railway Sidings
Meopham, Kent DA13 0YS
England

A FEW OF THE MOST RECENT ITEMS WE WANT...


ORIGINAL SOUNDTRACK Naked Lunch Original Soundtrack (Limited edtiion 2016 US 24-track double LP, with gatefold picture sleeve, credit insert and pressed on Yellow Bugpowder Vinyl. Super soundtrack by Howard Shore and Ornette Coleman with the London Philharmonic Orchestra to the 1991 David Cronenberg movie. The sleeve shows some creasing to the top left corner and the vinyl remains in Near Mint condition MOND-079)

Tracklisting: A1 Naked Lunch A2A Hauser And O'Brien A2B Bugpowder A3 Mugwumps A4 Centipede A5 The Black Meat A6A Simpatico A6B Misterioso A7 Fadela's Coven B8 Interzone Suite B9 William Tell (Complete) B10 Mujahaddin B11 Intersong B12 Dr. Benway C13 Clark Nova Dies C14 Ballad / Joan C15A Cloquet's Parrots C15B Midnight Sunrise C16 Nothing Is True; Everything Is Permitted C17 Welcome To Annexia C18 Writeman Bonus Tracks D19 Hauser And O'Brien (Complete) D20 Dual Typewriters D21 Simpatico (Reprise) D22 Martinelli D23 Intersong (Take 2) D24 Bugpowder (Take 9)
FOREIGNER Head Games (Original Master Recording limited edition Mobile Fidelity Sound Lab 10-track LP, mastered by Krieg Wunderlich on the Gain 2 Ultra Analog System, specially plated and pressed on 180-gram High-Definition Vinyl at 33RPM. Foreigner's edgiest, hardest-hitting album is the heaviest record of the band's career, the 1979 effort functions as irrefutable proof that the quintet rocked as hard as anybody in the mainstream and did so without losing sight of the melodies that put it at the top of the charts. Heavyweight gatefold picture sleeve with original album art, individually gold-foil numbered and factory sealed inside its perforated loose bag. Recommended)

Tracklisting: 1/4" / 15 IPS analog master to analog console to lathe The moment Head Games begins, a nastier, grittier tone is established, and it becomes apparent that Foreigner is bringing something new to the table. Namely, an edgier, leaner sound built around stronger guitars and harder rhythms. The heaviest record of the band's career, the 1979 effort functions as irrefutable proof that the quintet rocked as hard as anybody in the mainstream and did so without losing sight of the melodies that put it at the top of the charts. And with Head Games, there Foreigner would stay. Half-speed mastered from the original master tapes, Our collectible audiophile edition of this longtime favorite classic-rock staple bursts with tremendous dynamics, soaring vocal timbres, punchy dynamics, and newfound instrumental separation. With more emphasis placed on Mick Jones' guitar riffs and meatier grooves, you may just find yourself investing in a new power amp to get every last degree of detail that's been uncovered! Longtime fans will be thrilled to hear the subtle nuances now fully discernible amidst a gargantuan soundstage. Joined by new bassist Rick Wills, and guided by Queen producer Roy Thomas Baker, Foreigner goes for broke, ratcheting up the muscularity on hard-hitting fare such as the hit single "Dirty White Boy," "Seventeen," and the aptly titled "Rev on the Red Line." However, the group maintains its trademark equilibrium, pushing the limits on toughness yet retaining a diamond-in-the-rough smoothness that allows the band's hummable choruses and winding hooks to take hold. Moreover, the band expands its use of synthesizers to wonderful effect. The smash title track, through which mesmerizing keyboard passages coarse, is a prime example of Foreigner's slight albeit thrilling sonic evolution, the net result upping the drama, fanfare, and color. At the time, the combination was a breakthrough idea. Is it any wonder Head Games sold more than 5 million copies? Side One 1. Dirty White Boy 2. Love On The Telephone 3. Women 4. I'll Get Even With You 5. Seventeen Side Two 1. Head Games 2. The Modern Day 3. Blinded By Science 4. Do What You Like 5. Rev On The Red Line
BOB DYLAN Good As I Been To You (Original Master Recording limited edition 13-track LP mastered by Krieg Wunderlich at Mobile Fidelity Sound Lab on the Gain 2 Ultra Analog System, specially plated and pressed on 180-gram SuperVinyl from a formula developed and manufactured by NEOTECH, cut at 33RPM. The under-heralded 1992 album, Dylan’s first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate’s celebrated late-career arc. It’s also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar. Presented in audiophile sound for the first time. Picture sleeve individually gold-foil numbered and limited to 5000 copies, factory sealed. Recommended)

Tracklisting: 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe Sourced from the original master tapes, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 5,000 numbered copies, Mobile Fidelity's 180g SuperVinyl 33RPM LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan’s garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form — and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl’s extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them. Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan’s home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works — in this case, traditional folk music — and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020). Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy — followed him for years. As author Clinton Heylin reported Dylan admitting in 1997: “My influences have not changed — and any time they have done, the music goes off to a wrong place. That’s why I recorded two LPs of old songs, so I could personally get back to the music that’s true for me.” Truth: Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan’s imagination as a kid in small-town Minnesota and, later, per Greil Marcus’ That Old Weird America book, informed Dylan and the Band’s Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record’s release, Dylan would play half the album’s songs live. As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes — jealousy, temptation, sacrifice, love, revenge, identity, opportunity — operate on a fundamentally human level immune to trends, generations, or eras. They’re ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice (“Frankie & Albert”; “Jim Jones”), romance and tenderness (“Tomorrow Night,” “Froggie Went a Courtin’”), the troubled and trouble-free (“Hard Times,” “Sittin’ on Top of the World”). They lend voice to lovers scorned and freed (“Blackjack Davey”), the used and users (“Diamond Joe”), the powerful and powerless (“Arthur McBride,” “Canadee-I-O”), the followed and followers (“Little Maggie”). And akin to much of Dylan’s finest output, things are not always what they appear to be. Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan’s position as an elite interpreter and sculptor — not of just structure but emotion. Dylan delivers the tunes as if he’s known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack. Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing — from the clever ways he stretches syllables to underline meanings on the surprise twists of “Canadee-I-O” to the sheer delight he gets from singing “rowdy-dow-dow” on the protest song “Arthur McBride” — outstanding. “The sound? Authentic.” —Ken Kessler, Hi-Fi News, 90% rating MoFi SuperVinyl Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound devised. Expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a carbonless dye (hold the disc up to the light and see) and produces ultra-quiet surfaces. This high-definition formula also allows for the creation of clean grooves that are virtually indistinguishable from the original lacquer. Side One: Frankie & Albert Jim Jones Blackjack Davey Canadee-I-O Sittin’ on Top of the World Little Maggie Hard Times Side Two: Step It Up and Go Tomorrow Night Arthur McBride You’re Gonna Quit Me Diamond Joe Froggie Went a Courtin'
STEVIE WONDER Happy Birthday (1983 US 5-track Motown label vinyl 12" featuring Martin Luther King excepts from his greatest speechestaken from the albums 'Free At Last' and 'The Great March Of Freedom', housed in a company die-cut sleeve. Thesleeve shows minor edgewear, whilst the vinyl remains in Near Mint condition with next to no signs of play visible 4517MG)

Tracklisting: Side A 1. Stevie Wonder Happy Birthday (5:57) Side B 1. Rev. Martin Luther King - I Have A Dream (5:30) 2. Rev. Martin Luther King - Drum Major Instinct Sermon (5:10) 3. Rev. Martin Luther King - Dr. King's Desired Eulogy (3:03) 4. Rev. Martin Luther King - I've Been To The Mountaintop (3:00)

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